It changes the displays to show both engines, the cascaded signal, or just the selected engine by itself. One control that you will probably be using quite often is the Solo/Dual Display View switch. On the main screen, there are many controls and displays at your disposal. You can have B2 configured with each independent reverb set with their own reverb types, such as Early reflections for one, and a large hall setting on the other. Others, such as the Density, Diffuse, and Random controls can really help with getting more of a living/breathing type of non-linear sound. There are also several controls seen in some other reverbs in one form or another.
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On top of that, it also shows the A and B engine (if both are being used) plus the Cascade signal. Depending on its color and height, the readout will give you feedback on what’s going on with the stereo width (color) and amplitude (height). The Taps display lets you see separate delays over time from left to right. It shows this for both the A engine (blue line) and the B engine (green line). Anything veering off the 45 degree background gridline would be distortion of some type. It’s bipolar, and the X-axis is input, and the Y-axis is output. The Attitude display basically shows how much distortion is applied to the signal. The amplitude amount is on the left, and the frequency is shown along the bottom of the display. With the Frequency display, you can see changes over the range of frequencies made with the Damp and EQ controls. I’ll explain more on what Cascade is about later on. In the Time Display, you can see information on the early and late reflections, A and B engines, and the Cascade amount. You can switch from these three displays (time, frequency, and attitude/dynamics) to the Taps view. There are also controls to view one engine or the other (A/B), and power buttons to turn either one on or off. When the main screen is up, on the left side you can see various controls for switching between different views. There’s the main screen when it first loads, the browser, and an info page. I won’t go over all the displays/controls in total detail, but will try to touch on the more important ones.
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Installation on my PC was easy, and uses a serial number for authorization.Īfter loading it up, B2 has three different pages to view it’s many controls. For the Mac, there are 32 and 64-bit AAX, VST and Audio Units versions. Older versions for RTAS and XP are available, but not supported. I will get to more detail on those later in the review.įor the PC, there are 32 and 64-bit AAX and VST versions available. They have also included some very useful features, some of which are the many EQ filters, Attitude types, and damping settings. On top of the many presets, you get many extras thrown in, including over 300 engine templates from their previous release Breeze, and more than 90 dynamics presets. It boasts twin algorithmic reverb engines, a modular design, and has nearly 700 presets ready to add new dimensions to your audio. B2 1.2 is their latest product, and functions as a spatial processor/reverb. There’s real magic to be had with this unusual dual-reverb plug-in.ĢCAudio is the maker of the high quality products, Aether and Breeze. 2CAudio’s new effect, B2, has a strange name and an unusual purpose.
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